Then again, heroics are 90% based on breaking and entering, stalking, trespassing, assault, battery, and espionage anyway, so they may have a point there. The Villain With Good Publicity is very good at getting the hero (or other innocents who get too close to the truth) accused of criminal activity. (Some heroes embrace this image and become the Lovable Rogue or the Anti-Hero.) Should the heroes turn up actual evidence that something is up, it'll probably be ripped up by the villain's crack legal team (which Villains With Good Publicity always have), or spun to look like honest behavior. The heroes may even be falsely painted as villains in the public eye. Attempts to bust the villain will be met with harassment lawsuits, breaking & entering or assault charges, or bad press. Should the heroes know the truth, they're still stymied by the fact that no one else does. Even the heroes (or the audience!) may be fooled until The Reveal, unaware that The Man Behind the Man is someone so publicly trusted. On the surface, this villain works within the system and commands a great deal of respect from the average citizen, but behind the scenes, conducts all manners of nastiness. Jean-Luc Picard, Star Trek: The Next Generation, " The Drumhead"Ī Villain with Good Publicity is one of the most frustrating opponents a hero can ever face.
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